My work has taken shape slowly, across sound, design, and writing, over the better part of three decades. It’s been formed by movement—between countries, between disciplines, between technologies—and by a persistent return to the same questions: how memory endures, how meaning is carried, what we inherit without choosing.

Music came first. Over time, it opened outward into digital work, systems, and longer forms of narrative. Albums, essays, and design projects followed, not as parallel careers, but as different ways of staying with a single line of inquiry. I’ve worked in studios and classrooms, on stages and inside codebases, always attentive to form—less as surface treatment, more as the thing that holds experience together.

That attention has drawn me toward speculative fiction. It’s a space where music, design, and writing are interwoven practices—where questions of memory, meaning-making, and human behaviour can be approached obliquely, through atmosphere and resonance rather than explanation. Fiction allows systems and emotion to coexist, without forcing resolution.

This site is both a working space and a record. Books, recordings, and essays are gathered here with care—as statements, and invitations: to read, to listen, to spend some time.

We don’t receive stories whole. We inherit what’s broken, what’s missing. What we do with the silence is what makes them ours. Read the full story here.